French Painter, ca.1885-1956 French painter, stage designer and illustrator. After studying porcelain painting at the Sevres factory (1901) and drawing in Paris under the French flower painter Madelaine Lemaire (1845-1928), in 1903-4 she studied at the Academie Humbert in Paris, where she met Georges Braque and Francis Picabia. In 1907 she first exhibited paintings at the Salon des Independants, met Picasso at Clovis Sagot gallery and through Picasso was introduced to the poet Guillaume Apollinaire. Laurencin and Apollinaire were soon on intimate terms, their relationship lasting until 1912.  Related Paintings of Marie Laurencin :. | The Cat on the table | Portrait of Filuna | Mrs Lumasi | Dancing | Ailenweilu |
Related Artists:
Henry Otto Wix
Henry Otto Wix (1866 - 1922), also known as Otto Wix, was a German-born landscape and portrait painter who emigrated to the United States in the late 1890s. He studied in New York, but visited Hawaii in 1907 and 1908-9. About 1910, he moved to San Francisco, but visited Hawaii again in 1912. He also made several sketching trips to Mexico. Wixes marriage ended in divorce, resulting in depression and alcoholism. He died by his own hand in Santa Barbara, California on March 13, 1922. Wix is best known for his landscapes in watercolor. The Honolulu Academy of Arts and the Smithsonian American Art Museum are among the public collections holding paintings by Henry Otto Wix
CARDUCHO, Vicente
(b. 1576, Florence, d. 1638, Madrid Painter and theorist, brother of Bartolom Carducho. He became a prolific painter for both the church and the court in Castile, adapting a late 16th-century Italianate style, introduced into Spain in the 1580s, to Spanish themes and settings. After his death this style was superseded in monastic programmes by Zurbarn's pietistic simplicity and in altarpieces and devotional painting by the elegant compositions of van Dyck and Rubens, while Velezquez was unrivalled as a portrait painter. Of more enduring influence than Vicente's paintings, however, was his Dielogos de la pintura (Madrid, 1633), an erudite defence of painting as a noble pursuit and of the artist as a learned humanist. While painters in Spain struggled until the 18th century to attain freedom from artisanship, the Dielogos featured significantly in 17th-century efforts to achieve that goal,
Jean Lecomte Du Nouy
French Painter and Sculptor, 1842-1923,was an orientalist French painter and sculptor. He was Charles Gleyre's and Jean-Leon G??rome's pupil. A Paris street was named after him in 1932.